The Emergence of Deconstructivism and Anti-Fashion
One of the hallmarks of comme des garcons is their commitment to deconstructivism; the practice of taking apart garments to create new pieces using differing techniques. Kawakubo’s debut collection in Paris in 1981 is perhaps one of the most memorable within the history of innovation for featuring deconstructed garments with exposed seams, rough finishes, and asymmetric cuts. In stark contrast to heavily structured silhouettes entrenched in fashion at that time, this collection was marked by unrefined sloppiness and radical boldness.
Kawakubo’s work from the early 1980s was foundational for what would later be recognized as the anti-fashion movement—an approach that strongly critiqued the purpose of fashion itself and motivated individuals to consider deeply about their choices in clothing.
The Emergence of Deconstructivism and Anti-Fashion
ReplyDeleteOne of the hallmarks of comme des garcons is their commitment to deconstructivism; the practice of taking apart garments to create new pieces using differing techniques. Kawakubo’s debut collection in Paris in 1981 is perhaps one of the most memorable within the history of innovation for featuring deconstructed garments with exposed seams, rough finishes, and asymmetric cuts. In stark contrast to heavily structured silhouettes entrenched in fashion at that time, this collection was marked by unrefined sloppiness and radical boldness.
This anti-fashion philosophy was meant not only as an affront to standard styles but also protested against rigid definitions of uniformity as beauty held up by sheer standards masquerading as some sort of styled cliché like “fashion.” Embracing imperfections saw these so-called flaws as liberating ways grounded in authenticity rather than marks devoiding aesthetic appeal helped people define ways captured rescue rebellious spirits intent on breaking societal shackles constricting self-identity expression.
Kawakubo’s work from the early 1980s was foundational for what would later be recognized as the anti-fashion movement—an approach that strongly critiqued the purpose of fashion itself and motivated individuals to consider deeply about their choices in clothing.